Historical Facts: This was the second year that Scribendi had an exchange student on staff, and the first year it had two. It was also the first year that the magazine cover featured French flaps, which are extensions of the cover that are folded in, similar to the dust jacket on a hardcover book.
What you’ll find in this issue: This 2018 edition features artwork and literature from 42 undergraduate Honors students from across the country. Included in this edition are heartfelt examinations of personal histories, clever musings about day-to-day life, and portraits as odes to the people who matter most, to name a few. For a minimum $10 donation (to cover the cost of shipping) you can get your own physical copy of this edition of Scribendi here. We also have a digital edition available for download here.
Table of Contents
Category | Contributor Name | Title of Piece |
Foreign Language | Qi’ang Meng | Halfway |
Carol Stringer | Paper Planes | |
Poetry | Maya Roe | My Daughter’s Ocean |
Jack Ellmer | Serenity is Shared | |
Joshua Tise | A Few Moments of Convergence | |
Carolyn Janecek | Under the Dog Star | |
Leslie Nuckoles | Blackstrap Molasses | |
Abigayle Goldstein | Incontinence, Depression, and Empathy | |
Keegan Grady | Dry Creek Sonnet | |
Amanda Becker | Rain Dance (trio) | |
Samuel Slonaker | Jacking Off in the Shower Then Feeling Nothing | |
Savannah Hernandez | Sieve | |
Rachel Baxter | Horrors for Highways | |
Creative Nonfiction | Ryan Drendel | Suggested Writing |
Maria Hiatt | The Chalice of Grace | |
Keegan Grady | Illuminations | |
Jennifer Cummings | Reason | |
Jacqueline Jolley | Just Keep Laughing | |
Youssef Helmi | Ketsui, the Town the Clouds Left Forever | |
Gabrielle Zweifel | Funeral | |
Amy Sara Lim | Star’s Calling | |
Tamara E. Faour | Cordial Cherries | |
Nicolena Boucher | The Generator | |
Visual Art | Rachel Watson | Hair |
Claire Liu | PoPo | |
Jennifer Spong | Double | |
Lara Lee Meintjes | Every Time I Open My Mouth in Public | |
Jadie Adams | Blizzard | |
Elisabeth Vehling | Deconstructed Face | |
Sidney Abernathy | Not Like the Movies | |
Jon Carrillo | Head and Hand | |
Joshua Chang | Cotton Candy Coward | |
Elisabeth Vehling | Drip Woman | |
Kaitlynn Skinner | Mars | |
Joshua Chang | To Sheehy | |
Kaitlynn Skinner | Twilight Zone | |
Photography | Connor Lee-Wen | Knowledge Enfolding |
Sarah Manriquez | A Silent Dream | |
Shelby Petty | Ghostly Visions | |
Abigail Steffen | Tanzanian Daze | |
Emma Lowe | Curiosity | |
Donald Roberts | Placid and Pink | |
Donald Roberts | Dion’s or Death | |
Bryson Schritter | Surreality | |
Open Media | Allison Borgonah | Just a Little Lost |
Erin Mitchell | Drowning | |
Lukas Armstrong-Laird | This is the Bathroom |
Enjoy our open media piece below!
This is the Bathroom from Scribendi Magazine on Vimeo.
This is the Bathroom
This is the Bathroom explores the most intimate moments in a less well known and often overlooked setting in film — the bathroom. Following a young man in his bathroom provides glimpses of what we often interpret as monotonous, and at times uncomfortable tasks. Nonetheless, the professional cinematography creates a dynamic exploration of human intimacy and vulnerability. The monochrome snapshots in this film weave a story that expresses raw, mature situations that are unnoticed in the everyday chaos. In effect, the film forces the viewer to bring their own experiences and become immersed within the film’s story.
This film plays with the senses that go beyond sight and sound. A presented sudden shift in mood undoubtedly takes viewers on a roller coaster of emotions by producing a dynamic experience which allows viewers to feel a bit uneasy, curious, and possibly a little love sick. Just as we all undergo moments of vulnerability, partnership, and loss — we also all use the bathroom in some way or another. Moreover, the film’s effective skill in execution of a small space location, simple approach, and sound production gives these humble bathroom moments a charming light. Shot in two days with minimal equipment and crew, the film relies heavily on collaboration and improvisation. This film was also created with only thirty dollars but a whole lot of heart.